By Clare Rojas. All images courtesy of McSweeney’s, shared with permission

Coinciding with the rise of the vibrant book cover blob, Dave Eggers’ new novel takes a profoundly divergent approach. The Every was released this month by McSweeney’s—the author is also the founder of the San Francisco-based independent publishing house—and is a follow up to his hit dystopian work The Circle. Despite a similar focus on the rise of surveillance capitalism, The Every features 32 different cover illustrations and graphic renderings, casting each interpretation as a design object in its own right.

Eve Weinsheimer created sixteen of the jackets, which display the book’s swirling logo designed by Jessica Hische in a variety of color combinations. The remainder range in aesthetic and style and include Robyn O’Neil’s dark graphite drawings, minimal tableaus by Clare Rojas that position tiny figures among imposing environments, and the dizzying geometries of Kristin Farr.

McSweeney’s dispersed all 32 editions of the book at random to independent bookstores, notably skipping Amazon because “I don’t like bullies,” Eggers told The New York Times, and plans to print more in the future. Some of the designs are available in the publisher’s shop. (via It’s Nice That)

 

By Clare Rojas

Top left: By Kristin Farr. Top right: Robyn O’Neil. Bottom left: By Chris Johanson. Bottom right: By Eve Weinsheimer

By Geoff McFetridge

Top left: By Clare Rojas. Top right: By Jon Adams. Bottom left: By Kristin Farr. Bottom right: By Tucker Nichols

By Robyn O’Neil

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