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Åberg’s tactile process is in this way transferred into algorithms, in the dialogue between individual creativity and descriptive mathematics, that formulates into digital spatiality and sculpture.
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David Åberg is inspired by imaginary and esoteric art as well as sci-fi pop culture aesthetics and mythologies. With roots in art history, one might trace a clear relationship to natural forms in his practice, where the more strict language of technology is present. David Åberg’s sculptures become detailed and hyper-realistic and simultaneously cause a transformation that turns away from our physical reality. In his universe – in the electronic, non-tactile version of reality – he builds up a fictitious gallery of personalities.and examines issues relating to fantasy identities and transhumanism.
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