addresses some of the most pressing issues of our time—uncontrollable fires, hurricanes, and an impending lack of natural resources, to name a few—through an unusually playful medium. The Nashville-based artist creates colorful sculptures and busts from innumerable crayons, assembling textured works that simultaneously display the ubiquitous childhood tool while confronting the ongoing effects of the climate crisis.
Similar to the he created in response to Texas wildfires nearly a decade ago, Williams’ new pieces, like the river-stone-encircled campfire above, are based in collective experience. He writes:
The epic catastrophes, disasters, and pandemic are virtually impossible to navigate as adults, so I am trying to create works that will help children understand and eventually deal, most hopefully solve what we can’t one day. I’m exploring the myths we cling to comfort, deny or manage our way through without losing our collective humanity.
“First Fire” pairs with Three Graces of Climate Change, a trio of figurative sculptures that reinterpret the “Venus de Milo” through the lenses of wildfires, glacial melt, and deforestation. In one piece, bright blazes erupt from the shoulder and hip, and in another, the figure is sliced in two to reveal age rings similar to those of a tree.
Williams currently is working on six sculptures that’ll be on display at Atlanta International Airport. He’s also the curator at Nashville’s , where you can find a larger collection of his works.
“Venus of Wildfires”
“Venus of Glacial Melt”
“Venus of Deforestation”
