Often playing with architecture, elemental materials, and colossal forms, American multidisciplinary artist Daniel Arsham’s lifelike sculptures, objects, and paintings play with time—either by turning it back or casting it forward, into alternative dystopian realities. Together with Berlin’s iconic König Galerie, we interviewed Arsham ahead of his first solo exhibition in the city, which is titled ‘Unearthed’—whereby relics from our ancient past are contextualized in the future.

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