Using a combination of realist sculptural technique and surrealist imagination, Hong Kong-based artist Johnson Tsang highlights human anguish and self-conflict through his eerie ceramic faces being pushed and pulled apart by body-less hands.
One of his more recent pieces, “Still in One Piece III” used porcelain facial features to capture his
“At the beginning of May [2020], this idea popped up in my mind from nowhere during my meditation. Ideas came up to me like this very often. Many of my pieces were created with ideas popped up during meditation,” Tsang told
Other works open for interpretation include a grimacing face that appears to be having its skin pulled sweatshirt-style over its head by a pair of arms emerging from the skull. Another features fingers from inside a head prying open the face, causing the features to disappear but still look like the person might be screaming. Tsang’s “Remembrance” has one face melting on top of another, while “Love in Progress” shows a pair of hands wringing out a tortured face like a wet towel.
Although his skill with ceramics seems like it must have taken a lifetime to perfect, art and sculpture are actually a second career for Tsang. Having grown up poor, the artist originally focused on trade labor, first as an air conditioning assistant and then a potato chip fryer. He eventually became a police officer, spending 13 years keeping the streets of Hong Kong safe. During that time, he took a clay modeling class and was transformed by its pliable nature. “The clay seemed so friendly to me, it listened to every single word in my mind and did exactly [as] I was expecting,” Tsang said in an interview with
Leaving behind his police work, Tsang jumped into a “new life” of “exploring art.” However, his experiences as a cop with the “dark side of the city and humanity” heavily influence his artist creations. “What affected me the most were the fatal cases,” he said in an interview with the
Tsang updates fans by posting his latest work to his
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