
“Seaside,” bronze, 42 x 23 x 15 centimeters. All images © Valérie Hadida, courtesy of Galry, shared with permission
For
Hadida begins with a sketch before building the figures that eventually are covered with green patina. In recent years, the size of the sculptures has grown from smaller works into those that stand more than a meter high, an expansion that brings the scale of the works closer to a human body. “I prefer to work on the curves, the flesh more than the muscles. These seem to me disabling because they are hard and violent,” she says. Most of the sculptures depict teenage years or middle age, a time that’s marked with transition and change.
Generally seated, the figures’ poses and gestures appear temporary as if the woman has just shifted or is precariously settled on a stone. Although the bodies are still, their curls often swell upward to imply movement and sometimes are embedded with smaller silhouettes like in “Nocturna.” Their locks “typify each woman in her origins, in her age… The hair moves like the branches of a tree,” the artist says, noting that the plumed strands both accentuate and stabilize the figures’ supple curves, elongated fingers, and overall shape. “These women are marked by life. I do not represent perfect or idealized figures. These silhouettes are on the contrary very marked, very cut out. But their imperfections highlight their femininity,” she says.
Hadida is represented by

“La grande zénitude” (2021), bronze, 39 2/5 × 31 1/2 × 13 4/5 inches

Detail of “Nocturna” (2017), bronze, 25 1/5 × 17 7/10 × 7 9/10 inches

Left: “La rêveuse” (2018), bronze, 32 7/10 × 8 3/10 × 10 1/5 inches. Right: “Nouvel Amour” (2020), bronze, 29 1/2 × 11 4/5 × 11 4/5 inches

Detail of “Trio de femmes” (2018), bronze, 21 3/10 × 15 × 7 9/10 inches

“Trio de femmes” (2018), bronze, 21 3/10 × 15 × 7 9/10 inches

“Nocturna” (2017), bronze, 25 1/5 × 17 7/10 × 7 9/10 inches

Detail of “Nouvel Amour” (2018), bronze, 75 x 30 x 30 centimeters

Detail of “Nouvel Amour” (2018), bronze, 75 x 30 x 30 centimeters