When Thabisa Mjo released her ‘Tutu’ lights in 2015, there was something effervescent about the design. The shape – inspired by a Xibelani skirt worn by Xitsonga women of South Africa – was as magnificent as an haute couture dress.
More than just a home product, the ‘Tutu’ light became a piece of art; it was acquired by the Musée Des Arts Décoratifs in Paris as well as being voted the Most Beautiful Object in South Africa by a public vote at Design Indaba in 2018.
‘Brazzo’ brass lighting
Mjo’s latest product collection, titled ‘Brazzo’ and launched by her design studio Mash.T, comprises six brass
Mjo took inspiration from the concept of Lego building blocks, how they could appear independently but when manipulated, could make up an interesting shape. So she sat in her factory thinking of shapes and the possibilities of using existing shapes to invent a new shape. The ‘Brazzo’ collection consists of five pendant lamps and a table lamp. The designer’s particular favourites are the ‘Mesh’ table lamp and the ‘Mon’ pendant, because each has a black mesh steel component, which makes them more edgy, cooler.
‘Initially we tried using perforated brass, but every time we tried to manipulate it to take that beautiful round form, it kept breaking,’ says Mjo. ‘So the mesh steel was used out of necessity. And it just happened to work even better than the perforated brass would have.’
Thabisa Mjo and Mash.T
Since her early success, Mjo has established herself as one of South Africa’s leading designers. She graduated from the South African School of Motion Picture Medium and Live Performance, where she majored in production design. She pursued a career in the film industry, until it occurred to her that she wanted to create something spectacular for the real world. ‘I wanted to create spaces that people in the real world could interact with, because creating spaces for TV and adverts was a very short-term thing; we would shoot the movie and TV shows and it would just be over, while people in the real world didn’t interact with these spaces. I wanted to make things that could live with people or things people can live in,’ she recalls. She didn’t just want to create, she also wanted to tell stories – and design was the only way to do so.
Mjo founded Mash.T in 2013, immediately after graduating from Inscape design college in Cape Town, where she studied
Traditional craft, contemporary designs
At Mash.T, African arts tools are employed to tell contemporary African stories – lamps feature Xhosa motifs, side tables are handwoven with ilala palms, pendant lights are made of beads.
The brand’s production centres on craftsmanship and collaboration. ‘Creating a new design aesthetic requires collaboration with other designers and crafters that share the same values, which are about taking traditional craft, repackaging it, working with crafters to challenge them to use their age-old techniques that have been passed from generation to generation,’ Mjo tells Wallpaper*.
Collaborators include artisanal brands such as Alfred Ntuli, resulting in the ‘Alfred’ lights; Qaqambile Bead Studio, producing beaded
A shift in focus
While the brand had previously operated largely as a B2B service, Mjo decided to take a more direct approach to reaching consumers in the wake of the global pandemic. ‘When Covid-19 struck, a lot of commercial developments stopped. [The idea] came to me to make something that was easy for a consumer to buy. I pictured it wouldn’t be too big and sculptural like our lights are. It needed to be small and fit in an average size home,’ she says.
Mash.T sought to design pieces its team could make in the factory at a competitive price, so more people could purchase them. ‘We introduced the [woven ilala palm] “Bright Side” table and the “Flute” table that was made of terrazzo. We designed small lights for desks,’ says Mjo. ‘With the stories that we have been telling, it has gotten a lot of people invested in what we want to build. I found that people really wanted a piece of that, but I wasn’t answering their desire to be a part of Mash.T because I was so focused on selling to offices and commercial audiences.’
Today the brand caters to both audiences, balancing making products that satisfy its retailers with those for its direct consumers too. §