All images © Kengo Kuma and Geoff Nees, by Tom Ross
Wrapping a gallery space at the is a bowed pavilion of tessellating wood. A collaboration between renowned Japanese architect () and Australian artist , the large-scale installation is constructed with trees felled at Melbourne’s Royal Botanic Gardens during the . The pointed slats interlock without the use of additional supports, a design derived from , and create a scaly pattern that allows light to stream through.
Titled “Botanical Pavilion,” the curved structure features foraged timber—some of which predates European colonization on the continent—arranged by color rather than species. “By prioritizing natural phenomena over scientific order, the designers call into question the reductive nature of science during the colonial era, a mindset at odds with many Indigenous cultural beliefs and knowledge systems,” about the piece says. At both ends, the walkway opens up to reveal South Korean artist Lee Ufan’s 2017 painting titled “Dialogue.”
“The semi-circular shape of the pavilion invites the visitor into a journey to explore the space and experience the various essences of wood,” Kuma told . “The porous structure is assembled like a tridimensional puzzle without the use of metal connections to be able to reassemble it in a different location.”
“Botanical Pavilion” is on view through April 18, 2021. Follow and upcoming projects on Instagram.
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