Eerie, hypnotic, and faithfully depicting the dismal reality that is 2020, a new short film by envisions her recent quarantine experience under the frame of Stanley Kubrick’s . In , the New York City-based designer recreates the 1968 version’s iconic ending as a way to “(poke) fun at the navel-gazing saga of life alone and indoors,” she writes in .
Positioned vertically, the characters’ movements are synchronized perfectly, but while the original film’s wades through the ornate home in an astronaut suit, Cambron sports a face mask and latex gloves. The reenactment is situated in the designer’s one-bedroom Brooklyn apartment, and while it maintains the domestic qualities of the original, it also features contemporary updates, like a MacBook sitting on the table rather than a lavish meal. She even parallels the minutes-long credits precisely.
Cambron notes that the contemporary version considers a similarly disorienting life. “Multitasking while #wfh, conjuring guilt or longing with unused exercise equipment, your entire being reduced to a measure of time—these scenes all illustrate the absurd comedy of trying to maintain control during this unprecedented and unpredictable time,” she explains.
Follow Cambron’s parodic explorations—which include an annual exhibition titled — on and . (via )
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