In Sydney’s Circular Quay, a 6.5-meter-tall installation spins, twirls, and totters amid a public thoroughfare. Titled “There, Now, Here,” the kinetic artwork is by the Brooklyn-based duo and is in almost constant motion, thanks to wind, motors, and willing participants hopping on a see-saw.
With black and white stripes alongside a more muted palette, the colors of the playground-style project reference Dorothea Mackellar’s beloved poem “,” which professes her devotion to the Australian landscape and what she dubs the “sunburnt country.” Harnessing the washed-out tones of a sun-bleached environment, the artists present their signature bold works in more subtle hues, as if the pieces have been baking under the light for years.
A sonic component created by Josh Burgess accompanies the sculpture and can be manipulated by the public through accessible controls. “If one were to listen closely, they can hear the rush of water on the rocks, the dings of the light rail, the crosswalk signal, and most importantly, the local wildlife,” the artists say. “Our favorite piece is a nod to the ‘bush doof’ using the sounds of a lyrebird as the structure.”
“There, Now, Here” is the pair’s first public work in Australia and part of the annual light and music festival . Find more on Wade and Leta’s .
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