All images © Maxwell Mustardo, shared with permission, courtesy of Culture Object and Jody Kivort
, an ornamental motif consisting of a series of tapered convex or concave curves, is derived from the decorative exteriors of Roman sarcophagi and antiquities. Renaissance artisans revisited it in the 16th century, and it re-emerged in the neoclassical revival of the 18th and 19th centuries. Referencing ancient designs and what he describes in a as the “broad, reverential notions of the vessel,” playfully examines the function of containers and earthenware over time.
In his gourd-like Gadroons and pudgy Anthropophorae—a series of bulging amphorae—a range of stippled lava glazes complement shocking hues or shimmering PVC coatings. Vibrant colors and swollen forms resemble balloons or 3D renderings displayed on a bright screen, and the resulting perception-bending, flocked-like surfaces make the pieces appear to be floating, wobbling, and glowing.
You can see Mustardo’s work at through October 28 in a solo exhibition titled The Substance of Style. More information can also be found on his and .
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