During a month in which hauntings and ghastly cosutmes are a ubiquitous sight, presents a new body of work that taps into a shared sense of unease. The New York-based artist makes his Paris debut with Tissu Expansé, a collection of five fiberglass and resin gowns that appear as though they’ve come to life.
Constructed in pale blue, the spectral works are part of Morris’ Ghost Dresses, a series that stitches together fashion and sculpture through garments that materialize without a body. Bodices are full, while skirts angle as if they’re moving with an invisible owner. One piece even lunges forward, the arms reaching out with what seems like a kick of the back leg that lifts the hem upward.
Tissu Expansé is more lively than the artist’s , which saw hunched shoulders and bent postures suggestive of monstrous occupiers. While similarly haunting, these pieces appear less sinister, arising more as whimsical apparitions than supernatural villains.
Morris’ exhibition is on view through October 30 with . Keep up with his practice on .
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