
Detail of “Phantom Limb(s).” All images by John Brown, © Herb Williams, shared with permission
Bolstering
Both of Williams’ pieces rely equally on subject matter and medium to convey the urgency of the issues, as with the bands of color embedded within the fawn’s legs and hunks of wood in “Phantom Limb(s).” Bold, vibrant stripes illustrate the animals’ interpretations of deforestation and the potential for
Similarly in the tusk-framed piece titled “Adrift,” distinct blocks of color encircle the drifting mass and bottom half of the narwhals’ bodies, showing the enduring effects of environmental disasters “similar to how the bands of sediment are left in homes after floodwaters recede,” he writes. “The bands are in the colors of black (oil spills), red (wildfires), green (irradiated waters from reactor spills), and even gold from luxury billionaire yachts running aground.”
Williams is currently working on six large-scale sculptures for the Atlanta International Airport, and you can follow his progress on

Detail of “Adrift”

Detail of “Phantom Limb(s)”

Detail of “Phantom Limb(s)”

“Adrift”

Detail of “Adrift”

Detail of “Adrift”

“Phantom Limb(s)”