Click here to download whitepaper

A vital, living part of the world’s oldest continuous culture and a means for Indigenous Australians to not just express connection to Country, but also strengthen their communities and achieve economic independence, Indigenous art continues to develop and thrive.

Beyond that, it has the unmistakable capability to work as a cultural bridge; to provide non-indigenous Australians – and indeed the broader global community – with a window to cultures of Aboriginal and Torres Straight Islander peoples.

Clearly, at least since the latter part of the 20th Century, it has succeeded in this sense. Right now, belatedly, Indigenous art is recognised, universally, as the exciting, vibrant movement it has always been. It is a common presence, across Australia, in our galleries, homes, and places of business.

Communication, collaboration, and respect

While this inclusion is to be applauded, there is one curious aspect to the way many non-Indigenous people approach Indigenous art. As it stands, the work most in the broader community get to see is generally limited to paintings and sculptures. Despite the amount of great work being produced by Indigenous artists in a range of media, architects, homeowners, and business owners are cautious about including them in their homes and places of work.

Rugs and carpet are a good example. Right now, across Australia, emerging and established artists are leveraging the latest technologies and materials to create rugs that carry their own Indigenous designs. However, through a misplaced fear that incorporating designs in this way – and therefore allowing them to be walked on – may cause offence, many designers are choosing not to specify them.

Communication, collaboration, and respect

This whitepaper examines the use of Indigenous designs in rugs. Acknowledging the fact that unauthorised and inappropriate use of Indigenous designs and cultural appropriation are real and on-going problems, it explains the ways that work completed through collaboration with reputable manufacturers, like Designer Rugs, addresses them; and how including these products into projects helps artists bring their ideas to fruition and provide financial benefits to First Nations people.

Click here to download whitepaper

The post Communication, collaboration, and respect appeared first on Indesign Live: Interior Design and Architecture.

©

Related Posts

yellow leaves radiate outward on the forest flooryellow leaves radiate outward on the forest floor
In Sand and Stone, Jon Foreman Sculpts...
“Aureus” (2022). All images © Jon Foreman, shared with permission Nature’s...
Read more
VPN UI on a phoneVPN UI on a phone
What is a VPN? Here’s what you...
What is a VPN? To simply scratch the surface, a...
Read more
Providencia House, Barcelona Apartment, AMOO, Photo Jose Hevia | YellowtraceProvidencia House, Barcelona Apartment, AMOO, Photo Jose Hevia | Yellowtrace
Providencia House in Barcelona by AMOO |...
  Providencia House in Barcelona by AMOO | Aureli Mora +...
Read more
Communication, collaboration, and respectCommunication, collaboration, and respect
Ian Morris on what it takes to...
...
Read more
Communication, collaboration, and respectCommunication, collaboration, and respect
This Rotating Titanium Keychain Glows for 25...
Most everyday carry accessories are built on compromise. Flashlights need...
Read more
Mark Zuckerberg fencing with an AR opponent with Project Nazare augmented realityMark Zuckerberg fencing with an AR opponent with Project Nazare augmented reality
When Will Mark Zuckerberg’s AR Goggles Become...
We are increasingly finding ourselves in a Star Trek universe—albeit...
Read more