All images © Leonardo Ulian, shared with permission
London-based artist () merges two disparate elements in his sprawling assemblages: he speckles analog equipment with an array of electronic pieces found in digital devices. Created while in quarantine, Ulian’s series is comprised of vintage tennis rackets displaying intricate constellations of metal parts, microchips, and other found objects that form an abstract face.
The egg shape of the “head” of these vintage rackets reminded me of something yet familiar but at the moment lost. The result is a composition that resembles vaguely a human face made from a recycled object from the past, the racket, clashing with the rest of the elements, electronic parts, and the found objects. Then, an anomaly called “pareidolia,” the mechanism that leads our brain to bring things and objects of all kinds back to known and sensible forms does the rest. Will these be the faces of the future?
To view more of Ulian’s precisely arranged projects, follow him on .
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