Coronavirus Satirically Tops Kitsch Figurines Sculpted with Porcelain

“Holland” (2021). All images © Chrystl Rijkeboer, shared with permission

Artist Chrystl Rijkeboer contemporizes sentimental porcelain figurines with a present-day twist: spiky COVID-19 molecules obscure the characters’ facial features, rendering the largely wealthy and ornately dressed figures both anonymous and commonplace in modern contexts.

Whether posing for a portrait or mid-curtesy, Rijkeboer’s pieces satirize the long-crafted Meissen figurines, which have been in production since the 18th Century and often romanticize an antiquated world “where women do not represent any relevance but being nice and glamourous,” she tells Colossal. “For me, it is mostly about the position as a woman and an artist. The pandemic made it quite clear that artists are the first to be labeled as unnecessary.”

Living and working in Haarlem, The Netherlands, Rijkeboer has crafted an extensive COVID-themed collection, which includes ubiquities like Zoom calls and masks, all of which you can see on her site. (via Lustik)

 

Coronavirus Satirically Tops Kitsch Figurines Sculpted with Porcelain

“Alice” (2021)

Coronavirus Satirically Tops Kitsch Figurines Sculpted with Porcelain

“Will we ever play and dance again together?” (2020)

Coronavirus Satirically Tops Kitsch Figurines Sculpted with Porcelain

Left: “Covid Duet #2 Brown” (2021). Right: “Dangerous Liaisons” (2020)

Coronavirus Satirically Tops Kitsch Figurines Sculpted with Porcelain

“Girl with Carrots & Rabbit” (2021)

Coronavirus Satirically Tops Kitsch Figurines Sculpted with Porcelain

Left: “Covid Couple” (2020). Right: “Covid Duet Blue” (2021)

Coronavirus Satirically Tops Kitsch Figurines Sculpted with Porcelain

“La Famiglia” (2021)

Coronavirus Satirically Tops Kitsch Figurines Sculpted with Porcelain

Left: “Covid Symphony #3” (2021). Right: Left: “Covid Symphony #4” (2021)

Coronavirus Satirically Tops Kitsch Figurines Sculpted with Porcelain

“Music Friends, boy with guitar & girl with flute” (2021)

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