“Bee Keeper,” brass, Dura-Lar, and gold leaf, 33 x 24 x 27 inches. All images courtesy of Heron Arts, shared with permission
Suspended in the lofty gallery of is a series of new kinetic sculptures by (). The motorized works of brass, gold leaf, and draw on Greek mythology, particularly that of Icarus who met his demise after flying too close to the sun. With fluttering white wings, the largest sculpture hangs upside down as if falling to the wheat-laden ground.
The fully articulated skeleton is one of many figurative works in Writ Against The Sun, which considers the chasm between ambition and reality. Interested in the intersection of nature and technology, Curran is known for his dynamic sculptures that flit and writhe in mesmerizing motion. The Seattle-based artist continues in this vein for the exhibition, presenting several new kinetic works dangling from the ceiling, on the wall and pedestal, and even designed to fit around the human body.
A gilded skeletal system runs through many of the pieces, including “Bee Keeper,” which portrays a seated figure enveloped by dainty insects, and the framed “Archaeopteryx.” The latter features a spine and appendages enveloped by bell-shaped florets activated by a small hand-crank. Curran also shares three garments that wrap around the torso and shoulders, transforming the wearer with fantastic, creaturely movement.
Writ Against The Sun is on view through July 20 in San Francisco. Find more video from the exhibition on the artist’s .
Installation view of “Icarus,” brass, organza, gold leaf, Dura-Lar, steal, 60 x 48 x 48
“Archaeopteryx,” wood, brass, steal, Dura-Lar, canvas, gold leaf, organza, 26 x 34 x 8 inches
“Fluminis—Of the River,” wood, brass, Dura-Lar, canvas, 26 x 28 x 6 inches
Installation view of ‘Writ Against The Sun’
Installation view of ‘Writ Against The Sun’
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