“High Tide” (2022), acrylic on panel. All images © Lisa Ericson, shared with permission

Ecosystems intermingle and mammals find themselves immersed in an increasingly watery world in Lisa Ericson’s hyperrealistic acrylic paintings. A hare and a mountain goat, which would typically be found in dry climates or high elevations, stand atop a small island of cacti or rock in an ongoing series of works that view the climate crisis—especially the impending rise of sea levels—through a lens of magical realism.

Drawing on the artistic legacy of chiaroscuro, or contrast between the bright figures and deep background, Ericson’s compositions appear as if a spotlight has been directed on the scene to highlight unusual interactions, such as a fox ferrying bluebirds across a waterway or a mountain goat stranded on a submerged rocky peak. Furthering the notion that environmental change cannot be ignored, the titles speak to witnessing immense change, experiencing a sense of foreboding, and heeding warnings.

You can see some of Ericson’s recent works on view at Antler Gallery in Portland, Oregon, through November 20, and find more on her website and Instagram.

“Risky Business” (2022), acrylic on panel

“Late Warning” (2022), acrylic on panel

“Ain’t No Mountain High Enough” (2022), acrylic on panel

“Shelter in Place” (2022), acrylic on panel

“Wake Me When It’s Over” (2020), acrylic on panel

“Treading Water” (2022), acrylic on panel

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