Detail of “Kumbi Saleh 3020 CE” (2019). Photos by Samuel Engelking. All images © Ekow Nimako, shared with permission.
Hundreds of thousands of sleek, black LEGO structure the utopic universes by Toronto-based artist . Ranging from life-sized figurative sculptures with an eccentric twist to sprawling landscapes mimicking dense metropolises, Nimako’s artworks are rooted in the visionary realm of , which “explores the intersection of technology and race to visualize a powerful future for the African diaspora” through a hearty dose of hope and strength.
His ongoing series, , is an expansive collection that encompasses fantastical masks inspired by West African tradition and mythological characters that draw on folklore and proverbs. Another facet includes a broad, architectural sculpture that expands 30-square-feet. The 2019 work is titled “Kumbi Saleh 3020 CE,” a reference to the capital city of the ancient that’s thought to have contained a mosque, a central square, and various circuit walls.
Left: “Kadeesa (Griffyx Cub)” (2020). Right: “Flower Girl” (2019)
Running through each of these artworks is a fluid understanding of time and space that blurs the distinction between generations, locations, and histories in order to imagine a new reality. “We are all living proof of our ancestors, all their joy, love, knowledge, and pain. They live in our DNA,” the Ghanaian-Canadian artist says. “Aesthetically, I enjoy taking elements from bygone eras and creating futuristic landscapes, particularly of African utopias to imagine a liberated existence for us all.”
That blurred temporality that foregrounds his sculptures and installations parallels his own trajectory, as well. “My art practice developed when I was four years old, as I constantly told myself I want to do this (play with LEGO) forever, and sometimes it feels as though my future self communicated with my past self, astrally perhaps, to ensure this very specific destiny manifested,” he says, noting that the plastic blocks have remained a fixture in both his personal and professional life since becoming a father.
“Kumbi Saleh 3020 CE” (2019)
Today, Nimako works solely with black LEGO, a choice designed to distinguish his practice from the iconic brand. “My distinction was that I wanted to make artwork for which the medium was secondary,” he shares. “The form and content, the embodiment of life, always comes first with my work.”
In 2017, Nimako published a guide to LEGO animals, , and plans to continue teaching with a tutorial for building afrofuturistic worlds that’ll launch on this June. He’ll be included in a group exhibition at starting in June 2022 and also has a solo show slated for October of next year at in Regina, Saskatchewan. In the meantime, explore a larger collection of his elaborately designed universes on . (via )
Detail of “Kumbi Saleh 3020 CE” (2019)
Detail of “Kumbi Saleh 3020 CE” (2019)
“Simis” (2019)
“Esun” (2020)
Nimako working on a piece. Photo by Janick Laurent
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