Depending on which direction you approach from, you may encounter a lynx, a bee, a kingfisher, or a river trout in Austria-based Thomas Medicus’s new public installation. Moving around the work, one image gradually dissolves into abstract strips of color before a different creature assembles on another side. Known for his anamorphic sculptures (previously) that change with every 90-degree rotation, Medicus’s “Human Animal Binary” interlocks more than 144 strips of glass and focuses on four species native to the Tyrol region of Austria. All are endangered or threatened due to the increasing impacts of the climate crisis.

Constructed of glass, concrete, and metal, the vitrine that houses the artist’s glass animals nods to human-built structures and the urban landscape encroaching on natural habitats. The vessel itself “addresses a dilemma in which a large part of humanity finds itself: human habitat largely contradicts coexistence with non-human animals,” Medicus says in a statement. Contained within the cube, each specimen invites the viewer to look them in the eye and consider the delicate balance of the surrounding ecosystem, the fragility of existence, and the critical role humans play in both the destruction and preservation of nature.

Find more of Medicus’s work on his website, Vimeo, and Instagram.

 

A sculpture in a glass and metal cube on a concrete stand, containing more than 144 strips of glass that looks like a different animal on each side.

All images © Thomas Medicus, shared with permission

A sculpture in a glass and metal cube on a concrete stand, containing more than 144 strips of glass that looks like a different animal on each side.

A sculpture in a glass and metal cube on a concrete stand, containing more than 144 strips of glass that looks like a different animal on each side.

A detail of a sculpture in a glass and metal cube on a concrete stand, containing more than 144 strips of glass that looks like a different animal on each side.

A sculpture in a glass and metal cube on a concrete stand, containing more than 144 strips of glass that looks like a different animal on each side.

A detail of a sculpture in a glass and metal cube on a concrete stand, containing more than 144 strips of glass that looks like a different animal on each side. A sculpture in a glass and metal cube on a concrete stand, containing more than 144 strips of glass that looks like a different animal on each side.  A photograph of a man cycling around a public sculpture in a glass and metal cube on a concrete stand, containing more than 144 strips of glass that looks like a different animal on each side.

A photograph of an Austrian public square with mountains in the background and a public sculpture by Thomas Medicus in the foreground.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Endangered Animals Dissolve and Reassemble in Thomas Medicus’s Anamorphic Glass Sculpture appeared first on Colossal.

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