One way to approach the cinematic sketchbook drawings by
In ballpoint pen and colored pencil, Akmulun explores the duality of two facing pages by creating images that are distinctive from each other yet empathetic to one another. A close-up of hands grasping lightly at the fingertips complements a joyful scene of two women dancing, or a young child clasps her mother’s hand while gazing across the binding at a man who walks briskly across an open plane. Part story and part snapshot, the mysterious narratives reference historic images and are open to interpretation. “The funny thing is that different people can see different scenes in the same picture,” she says. “And this is incredibly cool, because we all have different life experiences, different environments, and different interests.”
Akmulun travels often and is influenced by the nuances of everyday experiences, which she captures using a minimal palette. She aims to collect and record feelings and memories in the books, but she’s not precious about keeping them intact. “I love to rip out pages,” she says. “I like to realize that the pages of my personal diary can travel the world, and can find their home not only in my sketchbook. I am pleased that people want to have a piece of my personal world in their home.”
Akmulun occasionally makes pages available for sale, and you can follow more of her work on
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