“Enchevetrement vertical” (2022), 120 x 100 centimeters. All images © Claire Lindner, shared with permission
Although fixed in glazed and fired ceramic, ’s voluptuous sculptures are primed for movement as they appear to crawl along walls or sprout upward like the leaves of a plant. Mimicking the spongy texture of living specimens like fungi, sea moss, and roots, the works embody several dualities from hard and soft to stasis and growth. The lively pieces also reference the relationship between biological processes and human intervention, as the artist () sculpts organic forms and covers them with unnaturally bold gradients.
Lindner, who’s based in the countryside in Montpellier, has one work in Within + Without on view through April 6 at and will be included in the group show scheduled for May at the in New York. She’s also in the midst of a residency with the European Institute of Ceramic Art, which will result in an exhibition slated for June at the . Keep up with the artist’s latest projects and chances to see the works in person on and .
“Red and blue untanglement n°3” (2022), 48 x 38 x 10 centimeters
Detail of “Enchevetrement vertical” (2022), 120 x 100 centimeters
“Waltx n°1” (2022), glazed stoneware, 39 x 36 x 32 centimeters
“Enchevetrement vertical n°2” (2022), 120 x 65 centimeters
“Red and blue untangled silhouette n°1” (2023), glazed stoneware, 116 x 46 x 13 centimeters
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