In an iconic of Saturday Night Live, Steve Martin and Bill Murray shuffle onstage dressed like tourists. Peering out beyond the camera—and thus behind us—they repeatedly ask, “What the hell is that?” Stoking our curiosity and never divulging what “that” really is, yet preventing us from ever seeing it either, the answer is left entirely to our imaginations. Beyond the duo’s characteristic absurdity, we’re enticed to consider the endless possibilities of the unknown, just out of frame.
For Miami-based artist , the confines of the cinematic screen and a sense of wonder play central roles in large-scale, enigmatic oil paintings. Male figures stand facing the distant horizon, observing dark plumes of smoke or, in some cases, events only they can see.
Alfredo draws inspiration for his palette from Miami Vice, specifically the rich pastels and glowing contrasts evocative of the show’s stylized, 1980s New Wave aesthetics. Bright pink and teal complement the deep blacks of nighttime.
“I allow myself to play with colors and lighting situations that appear surreal or impossible,” he tells Colossal, sharing that the choice of hues serve as tools for telling stories. He adds, “My biggest influences in terms of color have been old movies, science fiction, theater, and the cinematography of films by Steven Spielberg and Alfred Hitchcock.”
Alfredo also likens his paintings to screenshots or freeze frames, as if plucked from an enigmatic, longer narrative. His sketchbook contains countless renderings, including drawings of settings and characters akin to storyboards for a movie.
Once he translates a basic sketch into a color study, Alfredo translates the idea to photographic compositions involving real people and various objects. “Once I have all my reference photos ready, I compose an image on my iPad to see how the painting will turn out. The rest is painting,” he says, leaving enough room for the inevitable improvisation.
A suite of new paintings titled STARLESS that Alfredo recently exhibited with at EXPO CHICAGO are “snapshots of a larger story I’m still uncovering,” he says. Otherworldly magentas and teals envelop figures in a variety of natural landscapes, beneath a sky devoid of celestial objects. Instead, mysterious objects fall from above, and the characters react to the phenomena with wonder, fear, and confusion. “I love capturing those moments when we feel powerless and can only observe for a moment before taking action,” he says.
Find more on Alfredo’s and .
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