All images © threadstories, shared with permission
Covered in full-face masks of fringe and knotted details, () explores the tension between contemporary portrayals of public and private life. The Irish artist poses in front of gray backdrops for her self-portraits that obscure her face and only sometimes reveal a set of eyes or a mouth through the crocheted exterior.
threadstories tells Colossal that the process for creating each piece is similar. She begins by crocheting the balaclava—sometimes adding space for further detail like pointed ears or a hand-drawn face—before crafting various tufts and dense patches. “The yarns I use when tufting will create an endless array of outcomes from the same technique,” she writes. “The choice of yarn can mean the difference between a mask with a lot of movement or a mask with a strong form that can be brushed and manipulated to hold numerous forms.”
Once she’s photographed the finished project, threadstories deconstructs the pieces to transform them into a new extravagant work. “Generally speaking, I am working intuitively, no design or drawings in advance. I am thinking with my hands,” she says. “For me, it is the photograph or mask on film that is the artwork, not the physical mask. I don’t create pieces like a designer might. The masks are always in a state of flux.”
Each fiber-based creations serves as a visual representation of how people obscure their lives, both intentionally and not, for public consumption. “The masks are sometimes monstrous, other times farcical façades that poke at the performative nature social media cultivates and celebrates,” she writes. Each caption helps build a narrative.
threadstories is questioning how the erosion of personal privacy in the digital age shapes how we view and portray ourselves online. The masks deny the viewer the full story of who the sitter is, echoing the curated or false personas we view online daily. My masks are photographed against a sanitised white square. I know there is often chaos, mess and noise just beyond the margins of that photograph, but the messiness of life doesn’t make the edit for social media.
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