Installation view of Fleeting Parts solo show by Milena Naef at . Photo by .
Photo by .
Photo by .
Photo by Lisa-Marie Vlietstra.
Photo by Lisa-Marie Vlietstra.
‘s new part-, part- collection Fleeting Parts is a tense melange of pale flesh and heavy . Carefully cut-out slabs of reveal humble human segments of the artist herself—an elbow and knee, hip and shoulder, naked toes, and a pair of threadbare converse peep through slabs in a stark, physical contrast. A little like Harrison Ford’s escape from a cumbersome layer of fictional ‘carbonite’ (sorry, Star Wars haters), Milena’s sculptures uncover both the strength and fragility of the human condition.
The -based artist has a long family history of sculpture and stone—being a fourth generation sculptor—but Fleeting Parts is something different to traditional practice, far more personal and contemporary. “Marble plays an important role in my life, as I was lucky enough to grow up in my father’s sculpting school in Switzerland,” Milena explains.
Her work to date has been centred upon the idea that our bodies stand in constant choreography with their environment. For Milena, the body is as much a material as the marble she has grown up with. “[Fleeting Parts] is a continuation of a project in which I claim my own physical space within this context and question the traditional approach of stone carving.”
Photo by Niek Hendrix.
Photo by .
Photo by Lisa-Marie Vlietstra.
While classic marble effigies, idols, and busts depict stony, muscular gods primed to withstand many centuries, Milena’s Fleeting Parts series focuses on the softness of humanity.
To create the works, she carved out slithers and gaps in large slabs of marble to precisely fit parts of her own body. There is, however, a strength in the moment of the performance too. “[The] presence and absence of the body are a vital aspect of the work itself,” she adds. “The marble plates will outlive the body and have to function as autonomous objects.”
Milena Naef’s Fleeting Parts solo show runs until 20th August at Studio Oliver Gustav, Copenhagen.
[Images courtesy of .]
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