“My artistic practice develops around the different possible ways of creating images, dialoguing with tradition and art history from a current perspective. I am interested in constructing an image permeable to the present and reality that establishes an explicit dialogue with the digital image. I address traditional painting about new media and ways of looking at and translating reality. A question underlies this work:
How do we look at a painting, and how do we look at a screen?”
Francisco Ratti grew up amidst Patagonia’s dry winds and vast open spaces, where he first discovered his connection to painting. He later earned his Bachelor’s degree and now teaches painting as a professor of visual arts at the Faculty of Arts, National University of La Plata. Based in La Plata, where he lives and works, Ratti’s artistic practice explores the concept of surfaces, opening up thoughtful dialogues between the digital and analogue realms.
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Ratti paints from a place of contradiction and doubt, where every colour, form, and gesture interrogates itself. For him, uncertainty is not a weakness but a generative force—an insistence that gradually sharpens into clarity. His work emerges from internal battles, where buried images resurface, dissolve, and reconfigure. Ratti sees disorientation as essential; getting lost becomes a pathway to recognition.
In the suspended space between dawn and dusk, his painting becomes both wound and river — a site of confrontation, transformation, and fleeting wholeness.
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