Confined within tiny, ornate frames until inevitably spilling over the edge, ’s expansive landscapes are “spaces for reflecting, contemplation, and surrendering to something larger and more timeless than us,” he says.
Inspired by vast notions such as the relationship between humans and nature and ecological conflict, Hazard () translates broad themes into miniature works. The Brooklyn-based artist employs tiny frames, wood panel, and acrylic to depict a multitude of scenes from mudslides and flower farms to glaciers and snowy roads. With so much contained in such small compositions, Hazard describes his process as “a simple way to rapidly engage in an artistic process, with an ultra-manageable scale.”
Last year for New York’s , the artist expanded upon his miniature work, delving into a project on the opposite end of the scale of proportions. “Walk-In Painting” culminates Hazard’s carpentry and muralist experience, uniquely activating his otherwise tiny paintings. Viewers are able to step into a rolling scenery teeming with vibrant blooms, tufts of bushes, and sweeping mountains in the distance, creating an experience that is “both fictional and non-fictional,” the artist explains.
Hazard has also ventured into the realm of batch production through the technique of resin casting. While the artist typically uses more traditional materials for his small works, he has been able to create a sizable amount of gifts for friends and family by creating numerous blank casted bases before painting each by hand.
Find more work on the artist’s , and take a look into his process on .
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