Graphite Portraits Distort and Intertwine Subjects to Visualize Metaphors of the Body

All images © Miles Johnston, shared with permission

Malmö, Sweden-based artist Miles Johnston portrays subjects whose figures are in states of flux, whether through fragmented bodies, multiplied faces, or limbs contorted into impossible positions. Often depicting Johnston (previously) or his partner, the graphite portraits distort typical anatomy in a way that balances the familiar with the unknown and visualizes the thoughts and emotions otherwise hidden inside the mind.

Whether set against a trippy backdrop or quiet beach, each piece portrays the experience of the body “through a kind of internal metaphorical language,” the artist says. He explains further:

We don’t directly experience the actual biochemical facts of what is happening in our bodies, hormones secreting, weird little proteins and neurons doing whatever it is they do. Instead, we have a whole language of expressions like stomach tied up in knots, feeling empty, torn in two, burning with anger, etc… I’m aiming for this sort of naive direct representation of what things feel like instead of a literal representation of how they look from the outside.

Keep an eye on Johnston’s site and Instagram for news on upcoming print releases and his latest works.

 

Graphite Portraits Distort and Intertwine Subjects to Visualize Metaphors of the Body

Graphite Portraits Distort and Intertwine Subjects to Visualize Metaphors of the Body

Graphite Portraits Distort and Intertwine Subjects to Visualize Metaphors of the Body

Graphite Portraits Distort and Intertwine Subjects to Visualize Metaphors of the Body

Graphite Portraits Distort and Intertwine Subjects to Visualize Metaphors of the Body

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