How public art elevates hotel and hospitality design with TURNER
Within contemporary hospitality design, the interplay of art and architecture has transcended ornamentation to become an intrinsic component of the guest experience. The modern hotel is no longer a structure designed solely for transient occupancy; rather, it is an immersive environment where the integration of art is pivotal in shaping the perception of place.
Aniss Adler, Associate Director and Head of Experiential Design at TURNER, describes this paradigm shift as “no longer about just filling spaces with art, it’s about creating a story… For guests, public art can become a moment of pause, a point of contemplation that connects them to the local environment and the ethos of the hotel. It contrasts the busy-ness of travel, offering a serene environment upon arrival.” This notion of art as a significant interstitial space has gained traction, particularly within the luxury and boutique sectors.
Take the Pullman Sydney Penrith, for example. Western Sydney’s inaugural five-star hotel revolves around a Nepean Looking Glass – an artwork that forges a connection between contemporary architecture and the natural cadence of the Nepean River. In this approach, the installation operates as a fulcrum – one that invites guests to engage with the landscape. Matthew Leavey, Panthers Group Head of Development, says “guests consistently express their awe at the stunning Nepean Looking Glass, which beautifully captures the essence of the Nepean River and enhances their arrival experience.”
Beyond its aesthetic, the Nepean Looking Glass symbolises the role of public art within hospitality. “The Nepean Looking Glass reflects the unique beauty of the region and offers a connection to the environment that both guests and locals appreciate,” Aniss continues. “It’s become a conversation starter and a symbol of the hotel’s commitment to quality and experience.” Its undulating forms echo the rhythmic flow of the Nepean River, establishing a dialogue between the built and the organic. “We wanted the artwork to blend harmoniously with the architecture while standing out as a signature feature – something bold and memorable.”
The significance of this work has been recognised on a national scale, with the piece receiving a Merit at the AGDA Awards and securing Gold at the Sydney Design Awards in the Environmental Graphic Design category. These accolades serve to validate the thesis that public art, when conceived with intent and integrated with architectural foresight, is not merely decorative.