In ‘Big Bad Wolf,’ Sculptor Kendra Haste Contends with Conservation and Rewilding

From a simple material, Kendra Haste brings us face-to-face with striking sculptures of wild animals. Known for her use of galvanized wire to create life-size portraits of everything from calm elephants to alert deer to a family of boars, the British artist is fascinated by what she describes as the “essence and character” of each creature.

The artist’s solo exhibition, Big Bad Wolf at the Iron Art Casting Museum Büdelsdorf, is Haste’s first in Germany and continues her exploration of wildlife through eleven recent works that bridge the animals’ world and ours. Haste says, “I try to capture the living, breathing model in a static 3D form and convey its emotional essence without slipping into sentimentality or anthropomorphism.”

two life-size wire sculptures of deer in a museum exhibition

If you’ve visited the Tower of London in the past fifteen years, you also may have seen Haste’s permanent display of sculptures inspired by the Royal Menagerie, technically the city’s first zoo. The building housed a collection of animals between the 1200s and 1835, many of which were gifted to kings and queens.

Haste’s life-size animals are installed near where they were kept and nod to real denizens, like an elephant sent by the King of France in 1255 and what was presumably a polar bear shipped from Norway around the same time. The works were initially slated for a 10-year exhibition but now permanently on view in the much-loved historic attraction.

In Big Bad Wolf, Haste’s first solo museum exhibition, she delves into conservation, sustainability, and the controversial concept of rewilding. That animals that wander through the museum, including wolves, a stag, a hind, a white-tailed eagle, lynx, and wild boars, are all native to Northern Germany. While some are endangered, others are bouncing back, and Haste taps into a regional yet universal comprehension of our delicate relationship with nature and how our actions affect it.

a life-size wire sculpture of a warthog and her kids

“This is about how we see the natural world—how we’ve tried to shape it, and what it might mean to let it return,” Haste says. “Wire, like cast iron, holds a tension between strength and fragility. That balance runs through every piece in this exhibition.”

Big Bad Wolf continues through November 2 in Büdelsdorf. See more of Haste’s work on Instagram.

life-size wire sculptures of a wolves in the courtyard of a building
a life-size wire sculpture of an eagle with wings spread
a life-size wire sculpture of a male deer
life-size wire sculptures of a wolves in the courtyard of a building
a detail of a pair of life-size wire sculptures of wolves
a life-size wire sculpture of a bobcat
a detail of a life-size wire sculpture of a male deer

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article In ‘Big Bad Wolf,’ Sculptor Kendra Haste Contends with Conservation and Rewilding appeared first on Colossal.

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