“Bluebird,” hand-cut 36gsm washi paper and acrylic, 20 x 21 centimeters. All images © Pippa Dyrlaga, courtesy of Heron Arts, shared with permission
Through exquisite cut-paper motifs, () evinces the principles of , the theory that humans are predisposed to connect with nature and other life forms. This hypothesis grounds the Yorkshire-based artist’s first solo show in the U.S., which opens this week at in San Francisco.
Encompassing a range of Dyrlaga’s works from recent years, the exhibition is named after the theory and features meticulously carved compositions that meld flora and fauna. Patterned mesh backdrops surround entire ecosystems with avian and aquatic life, as in “Summer” and “River,” while smaller pieces focus on single creatures like a bluebird or swan as they take flight. Layered with acrylic paint, the works are nostalgic and full of reverence, evoking the immense, insatiable wonder of childhood and the joy of discovering the beauty of the natural world for the first time.
Biophilia runs from June 22 to July 21. Find more of Dyrlaga’s pieces on and .
“A Strange and Beautiful Place,” hand-cut 36gsm washi paper and acrylic
“Kingfisher,” hand-cut 36gsm washi paper and acrylic, 20 x 22 centimeters
Left: “Foxglove,” hand-cut paper, approximately 55 x 28 centimeters. Right: “Moss,” hand-cut paper and acrylic, approximately 120 x 45 centimeters
“Swan,” hand-cut paper, 40 x 30 centimeters
“Summer,” hand-cut 36gsm washi paper and acrylic, 90 x 70 centimeters
Top left: “Dandelion,” printed image, hand-cut 36gsm washi paper, and acrylic. Top right: “Gaia” printed image, hand-cut 36gsm washi paper, and acrylic. Bottom left: “Memory Fruit,” printed image, hand-cut 36gsm washi paper, and acrylic. Bottom right: “Tera Mater” printed image, hand-cut 36gsm washi paper, and acrylic
“Seeds,” hand-cut 36gsm washi paper and acrylic
“River,” hand-cut 36gsm washi paper, 40 x 40 centimeters
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