Given the heat generated during firing, it’s rare to see paper incorporated into a ceramics practice. For Seoul-based artist , though, the two go hand-in-hand.
Park recently won the 2026 , a prestigious annual award celebrating innovative makers, for his striking sculpture “Strata of Illusion.” A rectangular shape with an open top and slouching side, the piece features countless folded layers made from paper towels dipped in watered-down ceramic slip.
Inspired by the distinctive, rippled textures and minuscule lines within stacks of paper, Park “wanted to break through the traditional boundaries and stereotypes inherent in ceramics as a medium,” he tells Colossal. “To do this, I began experimenting with alternative materials other than clay, searching for a meaningful intersection.”
Standard paper towels were a natural fit, but they didn’t come without challenges. “Because the process required firing massive amounts of paper, I had to overcome both technical and ethical hurdles regarding the combustion and disappearance of the paper,” he says. “I strictly use recycled paper made from repurposed milk cartons, and technically, I utilize specialized kilns equipped with high chimneys to manage the exhaust.”
There were also conceptual challenges that Park addressed through reframing how he thought about the material, particularly its malleability when drenched and slippery. “In my practice, this pre-fired state is not viewed as ‘fragile’—the way traditional unfired ceramics are commonly perceived—but rather redefined as a ‘flexible’ state where patterns, forms, and colors can be actively manipulated,” he shares, adding that finding the balance between strength and elasticity was the most difficult part of the experimental process.
Layers, for Park, are both apt metaphors for the passage of time and a material illusion. “When hundreds or thousands of these sheets are stacked together, they withstand the intense heat of the kiln and acquire a solid, monumental permanence, akin to natural rock formations or geological strata,” he says. “I am deeply drawn to this visual and conceptual tension, where seemingly opposing values—thinness and density, flexibility and rigidity—coexist harmoniously within a single structure.”
In addition to his studio practice, Park is a professor in Craft & Collectible Design at Seoul Women’s University. Peek into his process in , and find more of his work on .
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