It’s small, perfectly formed and speaks of people and . Located in busy Albert Road area on Bunurong Country, Casuarina Pavilion is a place of respite. In the middle of the urban jungle, it serves to remind us that a place with meaning adds so much more to our daily lives.
As creators of the Casuarina Pavilion, Greenaway Architects has taken the idea of a small architectural structure and given meaning and culture to its form. Working with contractor Lendlease, structural engineer Arup and with landscaping by Hassell, this project was delivered for the Metro Tunnel, Victorian Infrastructure Delivery Authority (VIDA).
The pavilion is situated within a bespoke bioswale with views to the Shrine, Anzac Station and the edge of the Royal Botanic Gardens Victoria. Designed by the team at Greenaway Architects comprising Kyle Borg, Jefa Greenaway, Byron Watson and Maya Wong, the pavilion takes inspiration from the movement of water and the fronds of the Casuarina tree (a species of importance to Kulin Nation people).
Greenaway explains: “This whole area used to be wetlands, chains of ponds and billabongs, with quite a clear topography to it as well. So, what it’s created is a bioswale, managing overland water flow as it’s nested into this landscape setting.”
At 13.5 metres long and with cantilevered butterfly wing spans each of four metres, the pavilion offers shelter from the elements, a place to gather with a barbecue to the side and simply a place to sit and relax. There is concise and minimal materiality with basalt or bluestone and local granite, Australian hardwood timber insets and a metal roof and, in the simplicity of the design, there is also practical application as the roof captures water that is then stored into a receptacle.
The roof seen from above resembles the Casuarina leaf with its serrated edge and striated stem and leaf form. The material used to create the roof is Aramax and it was cut on a bias to resemble the profile of the serrated Casuarina leaf.
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“When we started to analyse the tectonic structure of the Casuarina fronds, where the leaf and the fronds or stem meet, there is a serrated edge. This provided a clue around how we might embed a sort of tectonic expression focusing in on the detail of the elements that form the Casuarina, the stem and the leaf in particular. The other element we were interested in was around frugality and the simplicity of the structure and the clarity of how elements come together. We wanted to be really honest about expressing that as part of the design language,” explains Greenaway.
While this is a simple structure, it is not simplistic. There is a layering of meaning for every design decision and a thoughtful choice of materials. The end result is a design that is transparent and appropriate but one that makes a statement and is surprisingly right at home among the towering high rises that surround it.
“You can see the honesty of the expression of the elements, of the beams, of the cleats of the roof to the columns. So, this is all a very deliberate expression. And then you see this idea of cultural interpretation embedded as well. That is, understanding that the impacts of colonisation that has eroded the natural rhythm and flow of the landscape, the managing of water and the remnant landscapes and how all these elements come together. You can see beyond the tram stop and the link down to the new (RSHP/Hassell-designed) metro station and you can see that there is a clear timber structure to the roof. You can see the green structural supports of the columns, so there is a deliberate dialogue that’s been set up too,” says Greenaway.
Casaurina Pavilion is a small gesture in a big city but it is design such as this that makes all the difference to its people. As Greenaway says “it’s for Melbourne, by Melbourne, of Melbourne” – and after all, it’s special places like this that make a city such as Melbourne a place to call home.
Jefa Greenaway is a member of the 2025 INDE.Awards jury.
Greenaway Architects
Hassell
Arup
Lendlease
Photography
Peter Casamento
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