has reopened its flagship at 22 Bruton Street with the new store concept developed by , reflecting the evolved visual language established at the house by Creative Director John Galliano.
‘ vision was first introduced in the gypsum-cast set at the Artisanal Autumn/Winter 2018 show, as an interpretation of Maison’s iconoclast codes in façade and interiors. The store is an abstracted and inviting environment rooted in the notion of appropriating the inappropriate.
The 190-square meter displays the complete range of Maison Margiela’s Co-Ed collections, men’s and women’s ready to wear, accessories, shoes, small leather goods, as well as jewellery, eyewear and fragrances.
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At the Bruton Street store, the defining structures of architecture – walls and columns – appear as detached objects. Artisanal furnishings reflect and alter ideas of familiarity. Familiar shapes skew in form, as they lean and fold around the demarcation of the space, drawing on ideas of dressing in haste native to Maison Margiela’s vocabulary.
Hand-cast individually in textile moulds, the surfaces of the walls and columns retain the memory of fabric texture, sculpting dents, and evoke the notion of an irreproducible hand-spun tactility. The store encourages the human touch that created it. Retained in their natural shade of plaster – the humble inside of a wall – the structures reflect the practice of anonymity of the lining, the house term for revealing the inside of a garment traditionally concealed and revealing the inner workings. The plaster’s natural tonality further echoes the signature of Maison Margiela.
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Misfit furniture is designed in the memory of classic objects, deconstructed in form. The technique of décortiqué further materializes in shelves, display tables and seats carved in stained , the natural indentations filled with colour-contrasting epoxy resin in optical white.
The ceilings and walls of fitting rooms – the most personal inner sanctums of a store – are coated in many layers of hand-brushed painted dark-green high gloss, creating a deep shimmering shine echoed in Japanese lacquer cabinets, conveying sentiments of glamour and the feelings of allure and familiarity that it generates.
Anne Holtrop’s store concept for Maison Margiela debuted with the Bruton Street store in London, followed by Avenue Montaigne in Paris, Osaka, Japan, and Shanghai, China.
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