“Origins,” walnut and feathers. All images © Andreas Senoner, shared with permission
Seemingly transfixed in time during a mysterious process of transformation, ’s mixed-media sculptures capture expressive details in human figures and gestures. “I focus my research on a series of main themes, including metamorphosis, heritage, and stratification,” he tells Colossal. The Florence-based artist explores layers of history by working with materials that are rich in cultural significance, incorporating textures like thorns or spikes, insect-bored timber, or saturated paint that induces tension.
Senoner carefully forms the contours of muscles and limbs in response to the natural grain of each piece of wood, and works can take several weeks to complete. “The essence of the wood also has a strong influence; a walnut sculpture, for example, takes twice as long as one made of lime wood,” he explains. Intricately detailed, life-like body parts sprout thorns, mimic a felled tree, or appear from beneath a cocoon-like cloak of organic material. Many reference figures from classical art history in another nod to the passing of time.
“Feathers have a very strong symbolism, and they are an integral part of rituals and celebrations in many cultures, where they represent lightness and freedom,” he tells Colossal. The feathers create layers, “like an intangible and delicate skin or shell that still is able to confine and shield the represented individual from the outside world.” Contrasting textures and associations of materials like ancient walnut, beeswax, or lichen parallels his interest in the dualities of interior and exterior experiences.
Senoner is currently working toward exhibitions in early 2023 in Italy and Belgium, and you can find more on his and .
“Fear,” walnut
“Fragment,” walnut
“Mask (moulting),” walnut and feathers
“Nature doesn’t care,” ancient walnut
“Nature doesn’t care”
:eft: “Shapeshifter,” walnut and feathers. Right: Rear view of “Origins”
“Regrowth,” painted walnut
“Origins,” wood and lichen
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