Back in 2003, when
But Mirra’s trailblazing character wasn’t limited to its high-performing design – Herman Miller’s seating staple introduced the idea that good design can be responsible, too.
When Mirra first launched, sustainability was gaining traction, but in furniture design, it was still primarily seen as a niche concern or an afterthought. Eco-friendly often meant compromising aesthetics or performance; recycled content wasn’t necessarily considered an optimum material for high-quality furniture, and certifications like Cradle to Cradle were only beginning to emerge. So, when Mirra came out, the chair’s innovative materiality and focus on minimising environmental impact were truly ahead of their time.
Herman Miller wasn’t just adding another high-performance chair to its outstanding range – it was carving out a new category of workplace seating that would prioritise ergonomics, performance and environmental concerns in equal measure. In fact, Mirra became Herman Miller’s first office chair designed to meet the brand’s Design for the Environment protocols, developed in collaboration with international environmental experts at MBDC, the creators of the Cradle-to-Cradle Certified® Products Programme.
And just like Herman Miller has remained at the forefront of responsible design, the Mirra has never ceased to adapt, becoming more sustainable with every iteration. The 2013 re-release accentuated Herman Miller and Studio 7.5’s commitments to dematerialisation and ensuring that “every molecule counts,” resulting in
“Sustainable design has guided the Herman Miller brand for decades,” says Gabe Wing, Vice President of Sustainability at MillerKnoll. “In partnership with Studio 7.5, our research shows a greater need for chairs like
But
“For us, improving a design concept continuously is one of the best strategies for creating longevity,” Carola Zwick of Studio 7.5 explains. “In this case it was finding alternative materials with a lower carbon footprint. Taking the effort of improving an existing product concept instead of creating a new product is signalling that the original concept is still valid and reassuring existing Mirra users that they have a great chair. We think slowing down and resisting the ‘new’ new is an important aspect of sustainability we as designers can tackle.”
But this latest iteration doesn’t just highlight the timeless character of good design – Herman Miller’s commitment to circularity aligns with the growing demand for transparency and accountability in corporate sustainability and legislative context. While environmental regulations might have been in their infancy when Mirra first launched, the optimised design is emerging as a timely response to a very different environmental landscape. As Australia ushers in mandatory climate-related financial disclosures for large organisations, the
With this latest evolution,
The post