Navid Baraty’s Atmospheric Photos Explore Contrasting Scales of Time

When we consider that enormous metropolises like New York City and Chicago have only come into being within the past few hundred years, it’s impossible not to stand in awe of ancient cultural sites that have existed for millennia or geological features that expose millions—even billions—of years of the planet’s natural history. For Navid Baraty, the contrasts and tensions of contemporary urban life and timeless landscapes merge in otherworldly photographs.

Baraty’s series The Time Between juxtaposes cityscapes with dramatic terrain, from desert dunes to snow-capped mountains. The project revolves around images in which two distinct digital photographs converge in a composite, drawing on the film technique of double exposure and exploring ideas of permanence, presence, and the “space between different scales of time,” the artist says.

two photographs digitally superimposed, like a double-exposure, depicting a desert lake and a cityscape

The Time Between highlights iconic skylines like Manhattan and Chicago, pairing the outlines of skyscrapers and city lights with dramatic rock formations and atmospheric effects. “The process is intentional but restrained, combining the two frames through careful blending rather than constructing or artificially generating new elements,” Baraty tells Colossal. “I’m interested in combinations that feel impossible at first, yet strangely convincing once they come together.”

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two photographs digitally superimposed, like a double-exposure, depicting mountains and a cityscape

two photographs digitally superimposed, like a double-exposure, depicting the Golden Gate Bridge and hazy mountains

two photographs digitally superimposed, like a double-exposure, depicting sand dunes and the Chicago skyline

two photographs digitally superimposed, like a double-exposure, depicting the Statue of Liberty and an evergreen forest

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