From feminist activist Angela Davis to iconic symbols of peace amid political upheaval, is known for his bold illustrations and instantly recognizable posters. He rose to prominence within the world of street art and skateboarding culture, creating a sticker in 1989 with the phrase “,” which was distributed widely and led to a recurring motif of the wrestler’s face on dozens of subsequent prints.
Fairey’s hit the mainstream in 2008 during Barack Obama’s presidential campaign, in which his portrait sits above the word “hope.” The optimistic work exemplifies how grassroots activism, especially through the form of printing and sharing imagery, can become iconic and have immense influence.
Out of Print, a retrospective of Fairey’s work presented by , celebrates what the gallery calls “the rebellious, democratic force of ink and paper.” More than 400 prints designed over the past few decades are joined by new works. Many of the posters emphasize his interest in activism, empowerment, and protest. His subversive practice, known as Obey Giant, even has a slogan: “Manufacturing quality dissent since 1989.”
Fairey often incorporates the color schemes and modernist, graphic motifs of early 20th-century propaganda posters, especially of the Soviet Union. By incorporating design motifs associated with fascism into messages of peace, feminism, love, and democracy, he reinforces the power of the medium. “Some people say digital media has ended print, but the provocative, tactile experience of a print on a wall or in the wild can’t be replaced,” Fairey says. “Printing still matters!”
The exhibition runs from November 15 to January 11 in Los Angeles. Learn more on the gallery’s , follow updates on Fairey’s , and purchase prints in .
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