It might be tempting to throw one of ’s paper airplanes across the room, but we promise you the landing would be less than graceful.
From her Seattle studio, Matsushita transforms delicate sheets of porcelain into vases, mugs, and sculptures that appear as if they were folded from paper. Punctured with binder holes and the fringed edge of a torn-out sheet, the functional objects bear the iconic blue lines of a school notebook. Other works are similarly deceptive, like the cloth sack or collared-shirt vessels that capture the folds, bends, and bulges of fabric in ceramic.
To create these pieces, Matsushita utilizes , a Japanese pottery technique that involves layering colored bodies of clay together and then cutting them to reveal a patterned section. Stripes of blue and pink appear through stacking slabs rather than the glazing process, and the artist builds most works by hand (head to her to see more).
When Matsushita began incorporating this labor-intensive method into her practice in 2023, it helped develop what’s now become her signature style. She shares:
Previously, I focused on Neriage, a technique where colored clays are combined and wheel-thrown. However, I transitioned to Nerikomi and began treating porcelain sheets like origami or leather to create more unique, personal expressions of my vision. I feel this shift has allowed me to establish a style that truly reflects my individuality as an artist.
One of Matsushita’s pieces will be featured in ’ annual Mug Madness tournament this March. Follow the latest in her practice, along with announcements about new works available in , on .
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