All images © Camille Kachani, shared with permission
Human progress and the insurmountable force of nature converge in ’s overgrown sculptures. The Lebanese-Brazilian artist () is known for his furniture, tools, and other practical objects that are overrun with new plant growths and gnarly roots, rendering the seemingly functional items like stools, hammers, and books humorously impractical.
Whether a text bursting with vegetation or dresser drawers housing young sprigs, Kachani’s works highlight the futile attempts humans undertake to control the environment. This relationship has been central to his practice in recent years, and his goal is to showcase the conflicts that arise from their intersections especially in relation to life in Brazil—the South American country is more frequently experiencing the effects of the climate crisis like its seen in decades and that’s only intensifying the ongoing devastation—which he explains:
When we speak human and nature, we mean culture and nature, an (un)stable and unpredictable relation. We depend on nature but also see it as a major obstacle to our complete mastery of the planet. But in fact, it is impossible to talk about nature and culture as two distinct subjects, as they are so intertwined and contaminated from each other that I come to believe that everything is nature and culture at the same time.
Kachani is based in São Paulo and is preparing for a forthcoming book chronicling 20 years of his practice, which will be published in 2022. You can follow his work on .
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