Plants, Hair, and Shadows Obscure Women in Introspective Gouache Paintings

All images © Mai Ta, shared with permission

Saigon-based artist Mai Ta veils the subjects of her nuanced paintings with leaves, long locks of hair, splayed hands, and dim lighting. Utilizing muted tones and saturation, she works primarily in gouache to render lone women in domestic settings, creating introspective scenes that question what’s visible.  “Obscurity in my work represents my own inability to be confident about who I am,” the artist tells Colossal. “It’s easier to hide behind my hair (shadows, plants, anything) than to honestly express how I really feel.”

Many of the pieces stem from Ta’s background, although she strives to connect her experiences and the viewers’. I Set the Moon on Fire Because She Wouldn’t Wake Up, a series comprised of many of the paintings shown here, was transformative in helping her realize that “exploring my own personal narrative and emotions can be both therapeutic and visually exciting,” she says. “I made work about how my friends’ and (my) rooftop moon-watching sessions moved me. I made work about my own heartbreak. I made work about missing and loving Vietnam.”

Explore a larger collection of Ta’s paintings that examine the relationship between interior emotions and outward expressions on her site and Instagram. (via Juxtapoz)

 

Plants, Hair, and Shadows Obscure Women in Introspective Gouache Paintings

Plants, Hair, and Shadows Obscure Women in Introspective Gouache Paintings

Plants, Hair, and Shadows Obscure Women in Introspective Gouache Paintings

Plants, Hair, and Shadows Obscure Women in Introspective Gouache Paintings

Plants, Hair, and Shadows Obscure Women in Introspective Gouache Paintings

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