From the mid-1800s to the 1930s, father-and-son artist duo
Spineless dives into the history of the Blaschkas’ extraordinary contributions to scientific education, starting with the elder artist’s fascination with ocean life. Leopold was inspired to recreate specimens he saw in the wild and successfully completed a commission for a nearby natural history museum in the 1850s. He realized there was a demand for lifelike versions of creatures that scientists found challenging to preserve and document, and the glass variety required no special jars or chemical treatments to keep them looking as good as new.
Leopold found his audience in universities and museums around the world, establishing a mail-order business to ship the fragile pieces to institutions where they were used for teaching or put on display. Eventually joined by his son, the two “relied on their relationships with scientists, along with observations of live specimens held in aquariums, wet specimens, books, and scientific journals,” the Mystic Seaport Museum says in a statement.
The Blaschkas are also known for their fifty-year endeavor to make 4,300 models that represent 780 plant species, comprising the
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