All photos by Joe Kramm, courtesy of Richard Haining, shared with permission
In the late aughts, began salvaging leftover wood. While working for a set design company, he realized that the sizable waste generated was also an untapped opportunity for his personal projects. “What I did not have in the way of disposable income, I did have in the way of access to tons of scrap materials,” he says. “I couldn’t afford purchasing new materials to create the ideas I had in my head, but I could take smaller scraps and use those as building blocks.”
Armed with quarter-inch hunks of plywood pulled from the dumpster, Haining realized the first vessel in his ongoing STACKED series. The Brooklyn-based artist shapes each curvy form by gluing together each rung piece by piece, which lets him adjust the wall thickness and final profile as he works. “Imagine coil pottery…or an analog version of 3-D printing,” he adds, likening the process to ceramics. Once the shape is complete, he uses an angle grinder and various hand tools—but not a lathe—to smooth the surface and allow the individual grains to shine through.
Whether a tall amphora with a skinny neck and handles or a squat, bulbous vase, the works highlight the wood’s unique textures and colors arranged in intuitively laid patterns. And, using scraps also means that Haining’s sculptures bear the marks of past wear. “Water and mineral stains, contrasting heartwood and sapwood, knots, century-old nail and beetle holes, these ‘defects’ are part of that lumber’s history, a fingerprint of time since passed,” he says.
In addition to the vessels, the STACKED series extends to furniture, lamps, chandeliers, mirrors, and other functional designs. Haining often has several projects in the works, and you can follow the latest on .
Do stories and artists like this matter to you? Become a today and support independent arts publishing for as little as $5 per month. The article appeared first on .
Related Posts
