“Fallen Sky” (2021) at Storm King Art Center, Mountainville, New York. Photos by Nick Knight, courtesy of Sarah Sze Studio, shared with permission
Artist () is known for precisely arranging unique images like photos, paintings, projections into massive sculptural constellations that collapse time and space, and one of her newest installations works in a similar manner, drawing on the tensions between the individual and collective and past, present, and future. Nestled into the lush hillside of in New York’s Hudson Valley, Sze’s “Fallen Sky” is comprised of 132 distinct pieces of polished stainless steel arranged in a fragmented circle.
The sloping, slightly hidden installation, which is now part of the center’s permanent collection, reflects the landscape, shifting the mirrored images it displays depending on the time of day, season, and the location of the viewer. All of the grasses surrounding the metal components were chosen and planted by hand, creating a contrast between the sleek tops of the steel and the natural growths.
Spanning 26 feet, the amorphous, segmented forms evoke the process of erosion and the ways elements change and deteriorate over time. Sze pairs “Fallen Sky” with an immersive collaged installation titled “,” which will be on view inside the center through November 8, an accompaniment that speaks to her vision for the pieces. “The relationship of the human to landscape is this age-old exploration of artists, but both works I’ve made are much more about how the landscape is fragile, it’s in flux, and our relationship to it is fractured,” she said in . “I think this has to do with our generation. Our relationship to landscape is not one of owning it.”
Sze speaks at length about the process behind “Fallen Sky” in below, and you can explore more of her projects on (via )
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