“90 ML” (2020), acrylic on panel, 6 x 8 inches. All images © Jason Limon, shared with permission
In an effort to make his otherworldy works more accessible, San Antonio-based artist began creating a substantial collection of small paintings in 2008. Today, Limon continues to add to his series, which centers on skeletal figures and anatomical forms that often feature stripes, polka dots, and other intricate patterns. His anthropomorphic works indicate movement, like a tube of bone cream that oozes out a skeleton or another character who drives a metal spear through a cracked heart.
With a focused color palette of muted jewel tones and neutrals, Limon’s uncanny projects largely consider how history pervades daily life. “Within the elements that surround us every day are bits of someone else—a record of thoughts made up of color, typography and symbols marked onto paper and metal to represent products throughout time,” he said in .
The artist tells Colossal that Fragments feels especially personal and serves as an exploration of ideas that often turn into larger projects. “I will sometimes have some of these smaller pieces in gallery shows, but for the most part they are a direct connection between me and the collectors,” he says. “I often hear them tell me that the piece struck a chord on how they are feeling or how it relates to their past.”
Limon offers some originals and prints in his , and shares more of paintings that consider what’s left behind after death on . (via )
“Puncture” (2020), acrylic on panel, 6 x 8 inches
“Bubble Love” (2020), acrylic on panel, 6 x 8 inches
Left: “Enclose” (2020), acrylic on panel, 6 x 8 inches. Right: “Vivid Dream” (2020), acrylic on panel, 6 x 8 inches
“Can’t Find the Words” (2020), acrylic on panel, 6 x 8 inches
“Doom Tube” (2020), acrylic on panel, 6 x 8 inches
Left: “Succumb” (2020), acrylic on panel, 6 x 8 inches. Right: “The View From Here” (2020), acrylic on panel, 6 x 8 inches
“House of Cards” (2020), acrylic on panel, 6 x 8 inches
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