From glazed ceramic, coated cardboard, wood, and acrylic paint, summons mythical beings and enigmatic animal-human hybrids. The artist’s current exhibition, Split Level at , is a survey of work made during the past eight years, glimpsing the artist’s ongoing exploration of Pre-Columbian art and architecture.
Keister’s mixed-media sculptures initially emerged from experiments with salvaged styrofoam and cardboard packing cartons, which evoked the bold, blocky forms of Mesoamerican architecture like Aztec stone carvings and Mayan step pyramids.
Through ongoing series like Bio Meso, Batz, and Masked Figures, Keister merges painting, sculpture, and craft techniques into three-dimensional portrayals of what the gallery describes as “bespoke deities that pay homage to Pre-Columbian myth.” Some creatures, like “Xoloitzcuintle,” represent real animals—in this case, a species of hairless dog.
Hybrid creatures like “Standing Bat II” and “Coyote Man” tap into oral histories and belief systems that span North America. Bats are historically emblematic of the boundary between life and death. And , a potent character in the folklore of numerous Indigenous North American peoples, is variously a magician, creator, glutton, and trickster.
Keister’s compositions range from wall reliefs to freestanding, monument-like sculptures to sprawling floor pieces. “At the core of his ethos is a profound interest in human and animal consciousness,” the gallery says. “Keister extrapolates his subjects from Central American mythology to develop a complex ecosystem of mystical fauna.”
Split Level continues through August 22 in New York City. Explore more on the artist’s .
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