All image © Marija Tiurina, shared with permission
Longtime Colossal readers will recognize the surreal, fictionalized scenes illustrated by (). Whether of thoughts from quarantine or in North London, Tiurina’s works are a seemingly endless exploration of mystery, delight, and general chaos, themes the London-based illustrator continues in her new series —the title is a portmanteau blending the “Spanish world for a bouquet (of endless objects and limbs, in my case) and ‘-os’ ending that is typical to the worlds of plural female form in Lithuanian language,” she says.
Comprised of three jiggling gifs and a longer, scrolling animation, the works deviate from Tiurina’s static paintings and build a playful, peculiar setting around three central characters in her signature style. The female figures exude an air of cool disinterest and are surrounded by objects defining their unqiue personalities, including greasy slices of pizza, cracked vinyl, and even a disturbingly severed limb.
To create the dizzying works, Tiurina began by drawing and painting the individual elements with watercolor, and after cutting each out, she layered them into rich, abstracted scenes with a single central character. Her stereograms, or two-dimensional renderings that give the illusion of greater depth, diverge from historical that positioned two photos side-by-side on a flat plane viewed with binocular vision. Instead, the illustrator merges the two into one glitching visual that appears in three dimensions.
Tiurina recorded her entire process for Stereogramos, which you can see in below, and you can find more of her packed, sprawling illustrations and on and . She also sells originals, prints, and books on , and if you’re in Reykjavík, stop by to see her work as part of a group show that’s open through May 29, 2021.
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