From grid-like woven patterns to intertwined strands of fringe, ’s hyperrealistic oil paintings () look incredibly similar to the ornamental carpets they’re modeled on. By studying real rugs and the way they scrunch, fold, and interact with light, he transfers these qualities to canvas. The overall designs, however, are a product of the artist’s imagination.
Santín trained as a sculptor, and his eye for shapes and the power of contrast lent itself to paintings with tactile textures and a dimensionally illusory quality. “In the past two years, as his technical skills allowed for far more detail than is found on a sewn carpet, he began to invent the entire image,” says , who is presenting Santín’s work in the artist’s seventh solo show with the gallery.
The artist continues to employ a precisely calibrated pneumatic compressor that allows him to apply oil pigments millimeters at a time. Tens of thousands of individual dots are arranged to create a consistent rhythm across the entire surface.
New paintings in Puente de plata, or “silver bridge,” celebrate the relationship between abstraction and pure pattern, reveling in vibrant color and intricacy in works that are more personal. The show opens tomorrow and continues through March 1 in New York. Explore more on the gallery’s website and Santín’s .
Do stories and artists like this matter to you? Become a today and support independent arts publishing for as little as $7 per month. The article appeared first on .
Related Posts
