“Floating MAiZE.” All images © Jean Shin and Ryan Muir, shared with permission
In her installation “Floating MAiZE,” artist employs more than 7,000 plastic bottles to create a stunning suspension above an atrium at . The window-lined space allows light to refract through the translucent tendrils, which are hung in a staggered, circular shape. Layered with sustainable practices, the latest installation reuses the green, plastic bottles from the 2017 project, “,” which utilized Mountain Dew that was consumed and collected in Iowa, the nation’s leader in corn production. Living and working in Brooklyn, Shin also sourced some pieces from , a nonprofit recycling center in her neighborhood.
The recycled piece falls at the intersection of environmental consciousness and commentary on food consumption in the United States. “Following the food chain from industrial-scale agricultural practice producing corn in America that ends up being consumed as high fructose corn syrup in soda and other processed foods, served up in plastics that become harmful pollutants in our oceans,” the artist writes on .
Shin tells Colossal that her works help to expose “the interdependency of their consumer habits to the larger ecosystem,” which she elaborates on by saying:
I use everyday objects and detritus that are often overlooked or obsolete to transform them into large scale installations. The lifecycle and accumulation of these consumer objects have a huge environmental impact. I am interested in where these materials come from, where they end up and who engages with them.
Along with her sweeping piece “The Last Straw,” “Floating MAiZE” will be on view through August 30 at Winter Garden at . (via )
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