In a monumental new installation, brings Catholic imagery, Mexican folklore, and tarot into dazzling view. For “In Light of Innocence,” ’ Main Hall transforms into a vibrant sanctuary complete with 50 stained glass-like panels that reach up toward the heavens. The individual pieces are fitted into the space’s windows, with a larger lightbox mural radiating from below.
De Nieves is known for utilizing common materials, including wood, glue, tape, and, for this project, brilliantly colored acetate that allows light to filter into the open hall. Along with swapping plastic for glass, the artist also upends the typical cathedral environment with non-religious imagery and typographic panels. Included are a skeleton riding a horse—long a symbol of transformation in tarot—and bold phrases like “happiness runs in circular motion” and “words are like weapons they wound sometimes.”
This medley of spiritual references creates a welcoming environment that allows for reflection and connection across belief systems. A statement says, “‘In Light of Innocence’ invites viewers to embrace change not as loss, but as renewal—a passage that leads to deeper insight and inner strength.”
The immersive project marks de Nieves’ first institutional exhibition in New York City and is on view through December 14. Find more of the artist’s work on .
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